The judges are searching for the most suitable opera singers for the main competition roles of the five Armel Opera Festival productions at the auditions to be held at various European venues. In 2017 the first rounds will be hosted by Paris and Budapest. At this point, the jury decides the applicant’s suitability for the role on the basis of their vocal characteristics. Singers can participate in only one first-round audition. After all first rounds have been closed, the judges make a decision: from the two different venues a maximum of 30 candidates might advance to the second round of the competition.
In the first round the participants must present two opera arias: a classical and a contemporary (composed after 1940) one. No musical or operetta arias are accepted. The arias must be presented in original language without keeping scores. No modifications are accepted in the arias.
The second round will be held in Budapest, during which the directors and conductors of the productions under preparation in five different countries, and this time their stage appearance and performing abilities are also examined. In this round the singers to participate in the productions will be selected and the final cast will also be determined. For the second round the candidates must learn to perform further three arias – in the original language, without the scores.These must be different from the arias presented in the first round. Two arias can be selected by the singer, the third one, however, is chosen by the judges from the role the candidate is recommended for.
The winners of the competition will be offered roles in the following opera productions.
CHRISTOPH WILLIBALD GLUCK: ORFEO ED EURIDICE (in Italian)
Production of NORRLANDSOPERAN (Sweden)
Rehearsal period: January 15 – March 7, 2018. Opening night: March 8, 2018
Competition role: AMOR (soprano soubrette) Vocal range: 4E – 5Adownload scores here
GAVIN BRYARS: CALAMITY BILLY (in English)
Production of the THÉÂTRE DE LA CROIX-ROUSSE (France)
Rehearsal period: February, 2018 Opening night: March 6, 2018
Competition role: NARRATOR (soprano) Vocal range: low C to high Bdownload scores here
JAMES WOOD: GULLIVER (in English)
Production of INSOMNIO and Neue Vocalsolisten (Netherlands)
Rehearsal period: from June 13, 2018 Opening night and performances: July 2018 and November 2018
Competition role: GULLIVER (Baritone, Sprechgesang)download scores here
GREGORY VAJDA: THE GIANT BABY (in Hungarian)
Production of KOLIBRI THEATRE (Hungary)
Rehearsal period: from April 2018 Opening night June 2018 Performances: from October 2018
Competition role: MOTHER/VIRGIN/STEFANIA (dramatic mezzo) Vocal range: a-g”
download scores here
DEJAN DESPIC: PRIEST CIRA AND PRIEST SPIRA (in Serbian)
Production of Serbian National Theatre (Serbia)
Rehearsal period: June 1-25, 2018 Opening night: end of June 2018
Competition role: PERA TOCILOV (tenor)Vocal range: DE-AS1
download scores here
W.A. MOZART: THE MAGIC FLUTE (in German)
Production of THE SZEGED NATIONAL THEATRE (Hungary)
TAMINO (tenor) vocal range: e – a’
download scores hereSARASTRO (basso) vocal range: F – e’flat
download scores here(In 2015, the production has been awarded by ARTE Audience.
The winners will be offered roles for further performances.)
You can find the results of the First round of Armel Opera Competition on the right side by clicking on the results button.
The scores of the proposed roles will be uploaded here shortly.
Congratulations for the winners!